Dr. Stephen Campbell’s research and publication in the field of pre-modern Italian art have dealt with the political and social role of art in pre-modern cities; the Renaissance literature and theory of art; artistic constructions of the body, sex and gender; the histories of collecting and canon formation, and more recently the geographies of art in Italy and the Mediterranean.
His recent books are The Endless Periphery. Towards a Geography of Art in Lorenzo Lotto’s Italy (Chicago: University of Chicago Press, 2019) and Andrea Mantegna: Humanist Aesthetics, Faith, and the Force of Images (Turnhout: Brepols, 2020). The Routledge Companion to Global Renaissance Art, a volume with an international team of 47 contributors which he co-edited with Stephanie Porras, appeared in 2024. His book Leonardo Da Vinci and the Fictions of Biography will appear in 2025 from Princeton University Press. He is also the co-author, with Michael W. Cole, of Renaissance Art in Italy 1400-1600. London, Thames and Hudson, 2011; second expanded edition 2017, which has also appeared in Italian and in Japanese. His other books are The Cabinet of Eros. Renaissance Mythological Painting and the Studiolo of Isabella d’Este (New Haven and London, Yale University Press, 2006) and Cosmè Tura of Ferrara. Style, Politics and the Renaissance City 1450-1495 (New Haven and London, Yale University Press, 1997).
He has curated and co-organized several exhibitions: Cosmè Tura: Painting and Design in Renaissance Ferrara (Isabella Stewart Gardner Museum, Boston, 2002); Artifice and Illusion: Carlo Crivelli of Venice (also at The Gardner, 2015), and The Renaissance Nude 1400-1530 (The Getty Museum and Royal Academy, London, 2018-19).
Dr. Campbell was educated at Trinity College, Dublin (BA 1985), the University of North Carolina (MA 1987), and Johns Hopkins University (1993). Before joining the faculty of Johns Hopkins in 2002, he taught at Case Western Reserve University (1993-94), the University of Michigan (1995-1999), and the University of Pennsylvania (1999-2002). In 1993, he published a book for a general audience on the Great Irish Famine of 1847-1851, with a preface by President of Ireland Mary Robinson. He has held post-doctoral fellowships at The Metropolitan Museum of Art, New York (1994-95); the Harvard University Center for Italian Renaissance Studies at Villa I Tatti in Florence (1999-2000); and the Center for Advanced Study in the Visual Arts, National Gallery, Washington (2005-06); The Clark Institute, Williamstown, Massachusetts, 2016.